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Yesterday, 08:59 AM | #5237 |
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Yesterday, 12:17 PM | #5239 |
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Def Leppard still firing on all eight.
Fire It Up. Last edited by M5Rick; Yesterday at 01:00 PM.. |
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Yesterday, 12:56 PM | #5240 |
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The Answer
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Today, 05:06 PM | #5244 |
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Also after all decades: the final chord is pure genius. Goin' out with a bang.
"Final chord and completion Following the final orchestral crescendo, the song ends with one of the most famous final chords in music history. Overdubbed in place of the vocal experiment from 10 February [1967], this chord was added during a session at EMI's Studio Two on 22 February [1967]. Lennon, McCartney, Starr and Evans shared three different pianos, with Martin on a harmonium, and all played an E-major chord simultaneously. The chord was made to ring out for over forty seconds by increasing the recording sound level as the vibration faded out. Towards the end of the chord the recording level was so high that listeners can hear the sounds of the studio, including rustling papers and a squeaking chair. In author Jonathan Gould's commentary on "A Day in the Life", he describes the final chord as "a forty-second meditation on finality that leaves each member of the audience listening with a new kind of attention and awareness to the sound of nothing at all." One of the first outsiders to hear the completed recording was the Byrds' David Crosby when he visited the Beatles during their 24 February [1967] overdubbing session for "Lovely Rita". He recalled his reaction to the song: "Man, I was a dish-rag. I was floored. It took me several minutes to be able to talk after that." Due to the multiple takes required to perfect the orchestral cacophony and the final chord, the total time spent recording "A Day in the Life" was 34 hours. By contrast, the Beatles' debut album, "Please Please Me", had been recorded in its entirety in only 15 hours, 45 minutes." The Beatles - "A Day In The Life" (1967):
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///M is art ↔ Artemis
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